Swiss sound artist Jason Kahn chronicles his 37-solo concert tour through North America from the US to Canada, exploring the state of DIY experimental music scenes post-pandemic, including a CD of concert recordings in Portland and Chicago in 2022 using local radio and field recordings from each city, along with mod synths, tube amp, electromagnetic transducers and contact mics.

Recalling the For4Ears era of electroacoustic improvisation, the ea-improv trio of Jason Kahn on electronics, Frantz Loriot on viola and Christian Wolfarth on percussion are heard in this extended improvisation recorded in concert at Plattform nicht dokumentierbarer Ereignisse in Atelier Dürrenfeld/Geitel, Köln, Germany, as part of the trio's 2022 European tour.

Recorded on the 7th of 8 concerts in a tour with the electroacoustic-improvising trio of Jason Kahn on percussion & electronics, Greg Davis on percussion & electronics and Jon Mueller on percussion & tape, an exemplary performance of close listening, highly textured and evolving ea-improv, each motion subtle and contributing to a richly diverse journey.

A 60 page book and CD from sound artist Jason Kahn, the audio composition representing an interconnected set of sound impressions focused on the Indian city of Varanasi, using field recordings of life on the street, the people, animals & music heard there, into the holy sites of the city, the school rooms, ending with a cremation and inevitable quiet at end of day.

After riding through his city of Zurich to the Kunstraum Walcheturm studio in 2020, Jason Kahn was struck by the quiet aspects of the usually busy city, now quelled by pandemic; entering the studio feeling the desolation and strange sense of peacefulness in the midst of so much tragedy and suffering, he recorded these "songs" of passionate free vocal improvisations and acoustic guitar.

The 2nd release from Jason Kahn, here on voice and resonator guitar, with Christian Wolfarth on Chinese Cymbal, an antique marching snare and objects, recorded after a series of concerts across Europe in the fall of 2019, Kahn applying a percussionist's perspective to his guitar by playing it as a lap slide, as the two invoke an unusual incantatory spirit from their improvisations.

Swiss improviser Jason Kahn continues his forays into vocal experimentation with this solo album, recorded in the rooms of a former Swisscom telephone relay station in Zurich, recorded in a single take, pushing himself over the edge in these unique vocal compositions that are stark examples of his creative and confrontational skills.

A 244 page book documenting text material used in three of sound experimenter Jason Kahn's recent installations: "An Attempt at Exhausting a Place in Hong Kong (After Perec)" (2016), "Drifting" (2016) and "Other Ghosts" (2015), emphasizing how words can convey the sense of place sounds can, and how these words impart a feeling for inner spaces.

Sound experimenter and electroacoustic organizer Jason Kahn revisits previous works and expands on them with the book and CD release, with an essay on his approach towards public space interventions and text / sound installations, a track listing, photographs from the locations of his field recordings, and texts and prose poems to accompany the listener.

Two concert improvisations for unamplified voice recorded in Canberra, Australia at the 2015 SoundOut Festival and in Tokyo, Japan at the Kid Ailack Art Hall in 2014, using extended vocal techniques and leveraging the room acoustics and social space between Kahn and the audience.

Swiss improviser Jason Kahn continues his forays into vocal experimentation with this solo album, recorded in the rooms of a former Swisscom telephone relay station in Zurich, recorded in a single take, pushing himself over the edge in these unique vocal compositions that are stark examples of his creative and confrontational skills.

Sound artist Jason Kahn performing in Zurich at the Kunstraum Walcheturm arts organization, recording fourteen short improvised sections, focusing on heavily effected drums and percussive elements augmented with synthetics, radio, plus work exclusively for voice.

Jason Kahn uses feedback and electronic noise to create a large work created from static, hiss, and unusual electronic sound, dynamic and ever-shifting aspects of both lovely and aberrant electronics, captivating in ever-shifting sounds that inform but do not overwhelm.

The first meeting of Jason Kahn and Phil Julian, both performing on analogue modular synthesiser, intended to be recorded as material for studio sound compositions, but which was so compelling as improvised work that they chose to release the album as recorded.

Exploring Kyoto through a series of 37 compositions organized from field recordings of everyday sound in the city made during Jason Kahn's 3 month stay in 2012, creating unique audio memories evoking and commenting on the structure of Kyoto's social spaces.

The first meetings of Jason Kahn (analog electronic) and Tim Olive (one-string magnetic pickup device) recording in a studio session in Kyoto, 2012 for four eventful and intricately structured works with a distinct developmental momentum.

Jason Kahn developed these graphic scores, commissioned by the 2012 now NOW Festival in Australia, to push these specific players into situations outside of their comfort zone, as heard in this double LP which includes copies of the score plus notes and interviews.

Sonic explorer Jason Kahn & Asher Thal-Nir in a 2008 concert at Boston's Axiom Gallery for a performance that creates inspired sound worlds by layering Kahn's planes of sound with Asher's environmental processing.

Jason Kahn brought Olivia Block, Mark Trayle, and Ulrich Krieger together to create this work for the 2008 Cal Arts Center for Experiments in Art, Information and Technology Festival.